
 For
more information contact: Sam Maddox 1721 Choctaw Street Dothan,
AL 36303 334.794.4066 (Home Phone) 334.685.0428 (Cell/ Travel Phone)
334.794.2223 (Fax) | "Is it a painting or a photograph?" This
is the most asked question about the larger than life oil paintings of Jeannie
Maddox that have been capturing the attention of art festival crowds for the past
33 years. "To the viewer, my paintings appear to focus on photo realism.
As an artist, my journey is through small abstract areas of shape, color and contrast,
that, when completed and taken as a whole constantly surprise me by becoming hyper-real.
I often say that I am a photo realistic painter who paints abstractly!" Jeannie
grew up in Dothan, Alabama, and always knew she wanted to be an artist. From the
times she was called on to do the backdrops for school plays to being voted most
talented in her High School yearbook, there was never any doubt that she would
be an artist. Jeannie and her husband Sam have been showing her work professionally
since graduating from William Jewell College in Liberty, Missouri in 1969. Among
her more than 125 awards are best on painting at Miami's Coconut Grove (5), Winter
Park, Disney's Festival of the Masters (2), Art and the
Alabama Woman (2), Gasparilla in Tampa, Arts Quest in Destin (4), Destin Festival
of the Arts (3). Among her best show awards are Deland, Montgomery (3) Enterprise
and Dothan. The works are based on photographs that both Jeannie and Sam
take form their travels around the country. Once Jeannie has decided on the image
and how it will be executed, Sam begins the process of building the armatures.
These are cut from cabinet grade Birch plywood. In many cases the canvases are
three-dimensional, which involves multiple armatures. Each one is individually
stretched and then gessoed and finally screwed together. Some of the larger 4'
x 6' 3-D canvases can take as much as 100 hours to build. Jeannie's painting process
is Ala Prima, or wet-into-wet, and often range up to 450 hours to complete. In
1976 Jeannie took some photographs of one of her young art students in a pool.
The painting sold immediately and soon art show patrons were going through Jeannie's
photos and commissioning a painting. For a period of six years there was a two-year
waiting list for these pieces. The most common size that people commissioned was
48" x 70", so Jeannie's work, which took an average of 425 hours literally
became larger than life. One of the turning points for Jeannie was the 1977
Disney Show, when Burdines of Florida bought her complete display. They continued
buying for several years and reproduced Jeannie's work to hang in the large atrium
areas of the stores that were opening every six months across Florida. Suddenly
Jeannie became on of the most recognizable artists in South Florida. One of those
who saw her work was the President of Macy's in New York. After buying his first
piece by phone, Jeannie and Sam had the privilege of being official photographers
for the Thanksgiving Day Parade and became great friends with the Yalof's in New
York. This led to Jeannie's other signature subject matter-her New York Urban
Series. Now that many of her collectors who started with one or two Swimmers had
to have an urban scene as well. Galleries in New York, New Orleans, San Francisco
and Birmingham, Michigan have represented Jeannie. At the present time Jeannie
and Sam market her large oils to a waiting list of clients across the United States
and internationally in Japan, Holland, Italy, Germany and Venezuela. Jeannie's
Giclee prints have opened up a whole new market for her work and are enjoyed by
those who own originals have put Giclees in their businesses and second homes. Jeannie's
work hangs in many private and corporate collections including the Wiregrass Museum
or Art (Dothan), The Halifax Museum of Art (Daytona Beach), The State of Alabama
Retirement Systems, and the largest law firm of Boston. Her work is also in many
prestigious private collections including the former president of Macy's, one
of the leading architects in Miami, Barry and Barbara Sugerman, the Vice President
of Toshiba, The Hollywood Screenwriter for Roots, and the largest CEO of the largest
boat company in Italy. |